Cue sheet helper professional#
While not everyone has decades of experience working in the music industry like Billig-Rich, you can still learn everything you need to know to take on a music supervision gig with Berklee Online’s Music Supervision Professional Certificate. Because Billig-Rich had a deep understanding of music licensing from her time working at record labels, she was able to pick up music supervision quickly. She has since started her own music supervision and clearance business, and worked on projects like Broadway’s Rock of Ages, Moulin Rouge, and the upcoming MJ: The Musical.
Cue sheet helper series#
One of the first people to call me back was someone who I still work with, his name is Steven Cantor and he’s an incredible filmmaker, and he called me and he said, ‘I just had a series greenlit by HBO and I’m going to put you in as the music supervisor,’ and I was like, ‘Awesome, great. “I said I’m basically for hire,” says Billig-Rich. She decided to drop her clients and make some phone calls in search of a new endeavor. On Berklee Online’s Music is My Life podcast, she said that when her children were born she wanted to make a career switch that would not involve touring most of the year. This happened to Janet Billig-Rich, who was the manager for Nirvana, Hole, and Dinosaur Jr. You never know when a music supervision opportunity might present itself, which is why adding music supervision to your skill sets could set you up to be a valuable member of a production team. For example, a producer on a TV show might suddenly be in charge of licensing a piece of music, a music editor might be asked to supply a song for a scene, or a composer could be asked for additional songs in a style that they are not comfortable writing. Music supervision can be a career all on its own, especially for high-budget projects, however, it’s important to know that anyone working in media might have to be a music supervisor at any point. If you’ve ever wondered whose job it is to pick and coordinate the songs for film, TV, advertising, games, and other media, it’s the job of a music supervisor. The perfect song placement will drop you into a certain time period, make you interpret lyrics in a new way, and clue you into characters’ emotions that they haven’t disclosed in dialogue. Whether it’s Guardians of the Galaxy or Pulp Fiction, Stranger Things or Mad Men, a great soundtrack will elicit reactions that music and visuals cannot accomplish on their own. The following is excerpted from the Berklee Online course Music Supervision 1.
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